[{"id":"impressions-of-times-new-romance","postPreview":"\n
\n
\n\t\n\t\t\t\t\t\n\t\t
\n\t\t\t\n\t\t\t\n \n \n\t\t<\/div>\n\t\t
\n \t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t
\n \"\" \n
\n Photo by Lexi Sun <\/figcaption>\n <\/figure>\n \t\t\t\t\t\n\t\t\t\t\t
\n \"\" \n
\n Photo by Lexi Sun <\/figcaption>\n <\/figure>\n \t\t\t\t\t\n\t\t\t\t\t
\n \"\" \n
\n Photo by Lexi Sun <\/figcaption>\n <\/figure>\n \t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t<\/div>\n\t
\n\t\t\t\t\t

Impressions of Times New Romance<\/h2>\n\t\t\t\t

Snaps of the second Gathering by PW-Magazine in Collaboration with Unguarded, PlusX and Molt.<\/p><\/p><\/div><\/div>\t<\/div>\n\t

\n\t\t\t\t
\n\t\t\tby<\/span>\n\t\t\t Editorial Team<\/span>\t\t<\/div>\n\t\t\t\t
\n\t\t\t

\n\t\t\t\tart\t\t\t<\/p>\n\t\t\t

\n\t\t\t\t\t\t\t\timpressions\t\t\t\t\t\t\t<\/p>\n\t\t\t

\n\t\t\tBerlin\t\t\t<\/p>\n\t\t<\/div>\n\t\t\n\t<\/div>\n\t

<\/div>\n <\/div>\n\t\n\n<\/div>\n","gallery":"
\n \"\" \n
\n Photo by Lexi Sun <\/figcaption>\n <\/figure>\n
\n \"\" \n
\n Photo by Lexi Sun <\/figcaption>\n <\/figure>\n
\n \"\" \n
\n Photo by Lexi Sun <\/figcaption>\n <\/figure>\n
\n \"\" \n
\n Photo by Lexi Sun <\/figcaption>\n <\/figure>\n
\n \"\" \n
\n Photo by Lexi Sun <\/figcaption>\n <\/figure>\n
\n \"\" \n
\n Photo by Lexi Sun <\/figcaption>\n <\/figure>\n
\n \"\" \n
\n Photo by Lexi Sun <\/figcaption>\n <\/figure>\n
\n \"\" \n
\n Photo by Lexi Sun <\/figcaption>\n <\/figure>\n
\n \"\" \n
\n Photo by Lexi Sun <\/figcaption>\n <\/figure>\n
\n \"\" \n
\n Photo by Lexi Sun <\/figcaption>\n <\/figure>\n
\n \"\" \n
\n Photo by Lexi Sun <\/figcaption>\n <\/figure>\n
\n \"\" \n
\n Photo by Lexi Sun <\/figcaption>\n <\/figure>\n
\n \"\" \n
\n Photo by Lexi Sun <\/figcaption>\n <\/figure>\n
\n \"\" \n
\n Photo by Lexi Sun <\/figcaption>\n <\/figure>\n
\n \"\" \n
\n Photo by Lexi Sun <\/figcaption>\n <\/figure>\n
\n \"\" \n
\n Photo by Lexi Sun <\/figcaption>\n <\/figure>\n
\n \"\" \n
\n Photo by Lexi Sun <\/figcaption>\n <\/figure>\n
\n \"\" \n
\n Photo by Lexi Sun <\/figcaption>\n <\/figure>\n
\n \"Photo \n <\/figure>\n
\n \"\" \n
\n Photo by Lexi Sun <\/figcaption>\n <\/figure>\n
\n \"\" \n
\n Photo by Lexi Sun <\/figcaption>\n <\/figure>\n
\n \"\" \n
\n Photo by Lexi Sun <\/figcaption>\n <\/figure>\n
\n \"\" \n
\n Photo by Lexi Sun <\/figcaption>\n <\/figure>\n

<\/p><\/div><\/div>","galleryGallery":"

<\/div>","postContent":"\n\n
\n
\n
\n
\n by<\/span> \n Editorial Team<\/span> <\/div>\n
\n

\n art <\/p>\n

\n impressions <\/p>\n

\n Berlin <\/p>\n <\/div>\n \n \n <\/div>\n

\n \n

Impressions of Times New Romance<\/h2>\n \n

Snaps of the second Gathering by PW-Magazine in Collaboration with Unguarded, PlusX and Molt.<\/p><\/p><\/div><\/div> \n <\/div>\n <\/div>\n

\n

Jul 18, 2023 <\/p>

We look back on July 2: A romantic evening filled with chit-chat, heart-to-heart talks and intimate contributions by Anna Rimmel, Camilla Schielin in collaboration with DWMC \/ Dead White Men\u2019s Clothes, Julija Zaharijevi\u0107, Kloxii Li, Lauryn Youden, Mahsa Saloor, Ronja, Rosa Ansch\u00fctz and Diane Esnault.<\/p><\/div>

In collaboration with the dearest \u2013 Unguarded<\/a>, PlusX<\/a> and Molt<\/a> \u2013 we had our second gathering of this year's series in Berlin with a once-in-a-blue-moon evening. The diverse program spanning from sound- and movement performances to readings and a room installation, mirrored the artistic practice of local and international artists in the frame of this early sunny Sunday evening.
Thank you very much for your numerous coming.<\/p><\/div>

<\/div>
Photo by Lexi Sun<\/div><\/div>
<\/div>
Photo by Lexi Sun<\/div><\/div>
<\/div>
Photo by Lexi Sun<\/div><\/div>
<\/div>
Photo by Lexi Sun<\/div><\/div>
<\/div>
Photo by Lexi Sun<\/div><\/div>
<\/div>
Photo by Lexi Sun<\/div><\/div>
<\/div>
Photo by Lexi Sun<\/div><\/div>
<\/div>
Photo by Lexi Sun<\/div><\/div>
<\/div>
Photo by Lexi Sun<\/div><\/div>
<\/div>
Photo by Lexi Sun<\/div><\/div>
<\/div>
Photo by Lexi Sun<\/div><\/div>
<\/div>
Photo by Lexi Sun<\/div><\/div>
<\/div>
Photo by Lexi Sun<\/div><\/div>
<\/div>
Photo by Lexi Sun<\/div><\/div>
<\/div>
Photo by Lexi Sun<\/div><\/div>
<\/div>
Photo by Lexi Sun<\/div><\/div>
<\/div>
Photo by Lexi Sun<\/div><\/div>
<\/div>
Photo by Lexi Sun<\/div><\/div>
<\/div>
<\/div><\/div>
<\/div>
Photo by Lexi Sun<\/div><\/div>
<\/div>
Photo by Lexi Sun<\/div><\/div>
<\/div>
Photo by Lexi Sun<\/div><\/div>
<\/div>
Photo by Lexi Sun<\/div><\/div> <\/div>\n<\/div>\n\n
\n
\n\t\n\t\t\t\t\t\n\t\t
\n\t\t\t\n\t\t\t\n \n \n\t\t<\/div>\n\t\t
\n \t\t\t\n\t\t\t\t\t\n\t\t\t\t\t
\n \"\" \n
\n Florian Hofer. Photo by Ronja Elina Kappl <\/figcaption>\n <\/figure>\n \t\t\t\t\t\n\t\t\t\t\t
\n \"\" \n
\n Steph Holl-Trieu. Photo by Ronja Elina Kappl <\/figcaption>\n <\/figure>\n \t\t\t\t\t\n\t\t\t\t\t
\n \"\" \n
\n Samuel Bron. Photo by Ronja Elina Kappl <\/figcaption>\n <\/figure>\n \t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t<\/div>\n\t
\n\t\t\t\t\t

Impressions of Rundgang 2025 at the Academy of Fine Arts Vienna<\/h2>\n\t\t\t\t

From January 16\u201319 2025, the Academy of Fine Arts Vienna welcomes visitors to explore its studios during the annual Rundgang.<\/p><\/p><\/div><\/div>\t<\/div>\n\t

\n\t\t\t\t
\n\t\t\tby<\/span>\n\t\t\t Editorial Team<\/span>\t\t<\/div>\n\t\t\t\t
\n\t\t\t

\n\t\t\t\tart\t\t\t<\/p>\n\t\t\t

\n\t\t\t\t\t\t\t\timpressions\t\t\t\t\t\t\t<\/p>\n\t\t\t

\n\t\t\tVienna\t\t\t<\/p>\n\t\t<\/div>\n\t\t\n\t<\/div>\n\t

<\/div>\n <\/div>\n\t\n\n<\/div>\n\n
\n
\n\t\n\t\t\t\t\t\n\t\t
\n\t\t\t\n\t\t\t\n \n \n\t\t<\/div>\n\t\t
\n \t\t\t\n\t\t\t\t\t
\n \"\" \n
\n Y. Malik Jalal at murmurs, 2024. Photo by Mindaugas Matulis <\/figcaption>\n <\/figure>\n \t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t
\n \"\" \n
\n Lorenza Longhi at Fanta-MLN, 2024. Photo by Mindaugas Matulis <\/figcaption>\n <\/figure>\n \t\t\t\t\t\n\t\t\t\t\t
\n \"\" \n
\n Irina Lotarevich at Sophie Tappeiner, 2024. Photo by Mindaugas Matulis <\/figcaption>\n <\/figure>\n \t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t<\/div>\n\t
\n\t\t\t\t\t

Impressions of Liste Basel 2024<\/h2>\n\t\t\t\t

It's that time of the year when the art world gathers in Basel, and the art fair Liste Basel opens its doors from June 10-16.<\/p><\/p><\/div><\/div>\t<\/div>\n\t

\n\t\t\t\t
\n\t\t\tby<\/span>\n\t\t\t Paula Thomaka<\/span>\t\t<\/div>\n\t\t\t\t
\n\t\t\t

\n\t\t\t\tart\t\t\t<\/p>\n\t\t\t

\n\t\t\t\t\t\t\t\timpressions\t\t\t\t\t\t\t<\/p>\n\t\t\t

\n\t\t\tBasel\t\t\t<\/p>\n\t\t<\/div>\n\t\t\n\t<\/div>\n\t

<\/div>\n <\/div>\n\t\n\n<\/div>\n\n"},{"id":"impressions-of-stadelschule-grotto","postPreview":"\n
\n
\n\t\n\t\t\t\t\t\n\t\t
\n\t\t\t\n\t\t\t\n \n \n\t\t<\/div>\n\t\t
\n \t\t\t\n\t\t\t\t\t
\n \"\" \n
\n Line Lyhne. Photo by Nick Leuze <\/figcaption>\n <\/figure>\n \t\t\t\t\t\n\t\t\t\t\t
\n \"\" \n
\n Elisaveta Braslavskaja. Photo by Nick Leuze <\/figcaption>\n <\/figure>\n \t\t\t\t\t\n\t\t\t\t\t
\n \"\" \n
\n Lisa Gutscher. Photo by Nick Leuze <\/figcaption>\n <\/figure>\n \t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t<\/div>\n\t
\n\t\t\t\t\t

Impressions of St\u00e4delschule: GROTTO<\/h2>\n\t\t\t\t

St\u00e4delschule just has opened this year\u2019s graduate exhibition, curated by Melissa Destino.<\/p><\/p><\/div><\/div>\t<\/div>\n\t

\n\t\t\t\t
\n\t\t\tby<\/span>\n\t\t\t Theresa\u00a0Dettinger<\/span>\t\t<\/div>\n\t\t\t\t
\n\t\t\t

\n\t\t\t\tart\t\t\t<\/p>\n\t\t\t

\n\t\t\t\t\t\t\t\timpressions\t\t\t\t\t\t\t<\/p>\n\t\t\t

\n\t\t\tFrankfurt\t\t\t<\/p>\n\t\t<\/div>\n\t\t\n\t<\/div>\n\t

<\/div>\n <\/div>\n\t\n\n<\/div>\n","gallery":"
\n \"\" \n
\n Line Lyhne. Photo by Nick Leuze <\/figcaption>\n <\/figure>\n
\n \"\" \n
\n Elisaveta Braslavskaja. Photo by Nick Leuze <\/figcaption>\n <\/figure>\n
\n \"\" \n
\n Lisa Gutscher. Photo by Nick Leuze <\/figcaption>\n <\/figure>\n
\n \"\" \n
\n Richard Najorka. Photo by Nick Leuze <\/figcaption>\n <\/figure>\n
\n \"\" \n
\n Richard Najorka. Photo by Nick Leuze <\/figcaption>\n <\/figure>\n
\n \"\" \n
\n Simon Shim-Sutcliffe. Photo by Nick Leuze <\/figcaption>\n <\/figure>\n
\n \"\" \n
\n Simon Shim-Sutcliffe. Photo by Nick Leuze <\/figcaption>\n <\/figure>\n
\n \"\" \n
\n Line Lyhne. Photo by Nick Leuze <\/figcaption>\n <\/figure>\n
\n \"\" \n
\n Aline Sofie Rainer. Photo by Nick Leuze <\/figcaption>\n <\/figure>\n
\n \"\" \n
\n Aline Sofie Rainer. Photo by Nick Leuze <\/figcaption>\n <\/figure>\n
\n \"\" \n
\n Paul Haas. Photo by Nick Leuze <\/figcaption>\n <\/figure>\n
\n \"\" \n
\n Camille Clair. Photo by Nick Leuze <\/figcaption>\n <\/figure>\n
\n \"\" \n
\n Camille Clair. Photo by Nick Leuze <\/figcaption>\n <\/figure>\n
\n \"\" \n
\n Brandon Rowland. Photo by Nick Leuze <\/figcaption>\n <\/figure>\n
\n \"\" \n
\n francisco m. v.. Photo by Nick Leuze <\/figcaption>\n <\/figure>\n
\n \"\" \n
\n francisco m. v.. Photo by Nick Leuze <\/figcaption>\n <\/figure>\n
\n \"\" \n
\n francisco m. v.. Photo by Nick Leuze <\/figcaption>\n <\/figure>\n
\n \"\" \n
\n Ian Waelder. Photo by Nick Leuze <\/figcaption>\n <\/figure>\n
\n \"\" \n
\n Ian Waelder. Photo by Nick Leuze <\/figcaption>\n <\/figure>\n
\n \"\" \n
\n Bogdan Ablozhnyy for A.M. Limma Voukelatou. Photo by Nick Leuze <\/figcaption>\n <\/figure>\n
\n \"\" \n
\n Ishmat Habib. Photo by Nick Leuze <\/figcaption>\n <\/figure>\n
\n \"\" \n
\n Elisaveta Braslavskaja. Photo by Nick Leuze <\/figcaption>\n <\/figure>\n
\n \"\" \n
\n Alyona Volkova. Photo by Nick Leuze <\/figcaption>\n <\/figure>\n

<\/p><\/div><\/div>","galleryGallery":"

<\/div>","postContent":"\n\n
\n
\n
\n
\n by<\/span> \n Theresa\u00a0Dettinger<\/span> <\/div>\n
\n

\n art <\/p>\n

\n impressions <\/p>\n

\n Frankfurt <\/p>\n <\/div>\n \n \n <\/div>\n

\n \n

Impressions of St\u00e4delschule: GROTTO<\/h2>\n \n

St\u00e4delschule just has opened this year\u2019s graduate exhibition, curated by Melissa Destino.<\/p><\/p><\/div><\/div> \n <\/div>\n <\/div>\n

\n

Jul 15, 2023 <\/p>

<\/div>
Line Lyhne. Photo by Nick Leuze<\/div><\/div>
<\/div>
Elisaveta Braslavskaja. Photo by Nick Leuze<\/div><\/div>
<\/div>
Lisa Gutscher. Photo by Nick Leuze<\/div><\/div>
<\/div>
Richard Najorka. Photo by Nick Leuze<\/div><\/div>
<\/div>
Richard Najorka. Photo by Nick Leuze<\/div><\/div>
<\/div>
Simon Shim-Sutcliffe. Photo by Nick Leuze<\/div><\/div>
<\/div>
Simon Shim-Sutcliffe. Photo by Nick Leuze<\/div><\/div>
<\/div>
Line Lyhne. Photo by Nick Leuze<\/div><\/div>
<\/div>
Aline Sofie Rainer. Photo by Nick Leuze<\/div><\/div>
<\/div>
Aline Sofie Rainer. Photo by Nick Leuze<\/div><\/div>
<\/div>
Paul Haas. Photo by Nick Leuze<\/div><\/div>
<\/div>
Camille Clair. Photo by Nick Leuze<\/div><\/div>
<\/div>
Camille Clair. Photo by Nick Leuze<\/div><\/div>
<\/div>
Brandon Rowland. Photo by Nick Leuze<\/div><\/div>
<\/div>
francisco m. v.. Photo by Nick Leuze<\/div><\/div>
<\/div>
francisco m. v.. Photo by Nick Leuze<\/div><\/div>
<\/div>
francisco m. v.. Photo by Nick Leuze<\/div><\/div>
<\/div>
Ian Waelder. Photo by Nick Leuze<\/div><\/div>
<\/div>
Ian Waelder. Photo by Nick Leuze<\/div><\/div>
<\/div>
Bogdan Ablozhnyy for A.M. Limma Voukelatou. Photo by Nick Leuze<\/div><\/div>
<\/div>
Ishmat Habib. Photo by Nick Leuze<\/div><\/div>
<\/div>
Elisaveta Braslavskaja. Photo by Nick Leuze<\/div><\/div>
<\/div>
Alyona Volkova. Photo by Nick Leuze<\/div><\/div>

Theresa Dettinger and photographer Nick Leuze took a stroll through this years graduate exhibition GROTTO<\/a> of St\u00e4delschule at Danziger Platz. The works are on view from July 14\u201330 2023.<\/p><\/div> <\/div>\n<\/div>\n\n

\n
\n\t\n\t\t\t\t\t\n\t\t
\n\t\t\t\n\t\t\t\n \n \n\t\t<\/div>\n\t\t
\n \t\t\t\n\t\t\t\t\t
\n \"\" \n
\n Y. Malik Jalal at murmurs, 2024. Photo by Mindaugas Matulis <\/figcaption>\n <\/figure>\n \t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t
\n \"\" \n
\n Lorenza Longhi at Fanta-MLN, 2024. Photo by Mindaugas Matulis <\/figcaption>\n <\/figure>\n \t\t\t\t\t\n\t\t\t\t\t
\n \"\" \n
\n Irina Lotarevich at Sophie Tappeiner, 2024. Photo by Mindaugas Matulis <\/figcaption>\n <\/figure>\n \t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t<\/div>\n\t
\n\t\t\t\t\t

Impressions of Liste Basel 2024<\/h2>\n\t\t\t\t

It's that time of the year when the art world gathers in Basel, and the art fair Liste Basel opens its doors from June 10-16.<\/p><\/p><\/div><\/div>\t<\/div>\n\t

\n\t\t\t\t
\n\t\t\tby<\/span>\n\t\t\t Paula Thomaka<\/span>\t\t<\/div>\n\t\t\t\t
\n\t\t\t

\n\t\t\t\tart\t\t\t<\/p>\n\t\t\t

\n\t\t\t\t\t\t\t\timpressions\t\t\t\t\t\t\t<\/p>\n\t\t\t

\n\t\t\tBasel\t\t\t<\/p>\n\t\t<\/div>\n\t\t\n\t<\/div>\n\t

<\/div>\n <\/div>\n\t\n\n<\/div>\n\n
\n
\n\t\n\t\t\t\t\t\n\t\t
\n\t\t\t\n\t\t\t\n \n \n\t\t<\/div>\n\t\t
\n \t\t\t\n\t\t\t\t\t\n\t\t\t\t\t
\n \"\" \n
\n Helen Vogelsang \/ Paola Yannarella. Photo by Melanie Gl\u00fcck <\/figcaption>\n <\/figure>\n \t\t\t\t\t\n\t\t\t\t\t
\n \"\" \n
\n Linda Herrmann. Photo by Melanie Gl\u00fcck <\/figcaption>\n <\/figure>\n \t\t\t\t\t\n\t\t\t\t\t
\n \"\" \n
\n Leo Bedderman. Photo by Melanie Gl\u00fcck <\/figcaption>\n <\/figure>\n \t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t<\/div>\n\t
\n\t\t\t\t\t

Impressions of UdK Rundgang 2023<\/h2>\n\t\t\t\t

For the end of semester, Universit\u00e4t der K\u00fcnste Berlin shows works of their students throughout a three-days event. <\/p><\/p><\/div><\/div>\t<\/div>\n\t

\n\t\t\t\t
\n\t\t\tby<\/span>\n\t\t\t Antoine Sime\u00e3o Schalk<\/span>\t\t<\/div>\n\t\t\t\t
\n\t\t\t

\n\t\t\t\tart\t\t\t<\/p>\n\t\t\t

\n\t\t\t\t\t\t\t\timpressions\t\t\t\t\t\t\t<\/p>\n\t\t\t

\n\t\t\tBerlin\t\t\t<\/p>\n\t\t<\/div>\n\t\t\n\t<\/div>\n\t

<\/div>\n <\/div>\n\t\n\n<\/div>\n\n"},{"id":"impressions-of-blue-moon-rising","postPreview":"\n
\n
\n\t\n\t\t\t\t\t\n\t\t
\n\t\t\t\n\t\t\t\n \n \n\t\t<\/div>\n\t\t
\n \t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t
\n \"\" \n
\n Photo by Tony Altermatt <\/figcaption>\n <\/figure>\n \t\t\t\t\t\n\t\t\t\t\t
\n \"\" \n
\n Photo by Tony Altermatt <\/figcaption>\n <\/figure>\n \t\t\t\t\t\n\t\t\t\t\t
\n \"\" \n
\n Photo by Tony Altermatt <\/figcaption>\n <\/figure>\n \t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t<\/div>\n\t
\n\t\t\t\t\t

Impressions of Blue Moon Rising<\/h2>\n\t\t\t\t

Snaps of the third Gathering by PW-Magazine in Collaboration with Body Archive, Spectres and Cabaret Voltaire.<\/p><\/p><\/div><\/div>\t<\/div>\n\t

\n\t\t\t\t
\n\t\t\tby<\/span>\n\t\t\t Editorial Team<\/span>\t\t<\/div>\n\t\t\t\t
\n\t\t\t

\n\t\t\t\tart\t\t\t<\/p>\n\t\t\t

\n\t\t\t\t\t\t\t\timpressions\t\t\t\t\t\t\t<\/p>\n\t\t\t

\n\t\t\tZurich\t\t\t<\/p>\n\t\t<\/div>\n\t\t\n\t<\/div>\n\t

<\/div>\n <\/div>\n\t\n\n<\/div>\n","gallery":"
\n \"\" \n
\n Photo by Tony Altermatt <\/figcaption>\n <\/figure>\n
\n \"\" \n
\n Photo by Tony Altermatt <\/figcaption>\n <\/figure>\n
\n \"\" \n
\n Photo by Tony Altermatt <\/figcaption>\n <\/figure>\n
\n \"\" \n
\n Photo by Tony Altermatt <\/figcaption>\n <\/figure>\n
\n \"\" \n
\n Photo by Tony Altermatt <\/figcaption>\n <\/figure>\n
\n \"\" \n
\n Photo by Tony Altermatt <\/figcaption>\n <\/figure>\n
\n \"\" \n
\n Photo by Tony Altermatt <\/figcaption>\n <\/figure>\n
\n \"\" \n
\n Photo by Tony Altermatt <\/figcaption>\n <\/figure>\n
\n \"\" \n
\n Photo by Tony Altermatt <\/figcaption>\n <\/figure>\n
\n \"\" \n
\n Photo by Tony Altermatt <\/figcaption>\n <\/figure>\n
\n \"\" \n
\n Margaretha J\u00fcngling with Luc H\u00e4fliger. Photo by Tony Altermatt <\/figcaption>\n <\/figure>\n
\n \"\" \n
\n Photo by Tony Altermatt <\/figcaption>\n <\/figure>\n
\n \"\" \n
\n Azur Sabic. Photo by Tony Altermatt <\/figcaption>\n <\/figure>\n
\n \"\" \n
\n Photo by Tony Altermatt <\/figcaption>\n <\/figure>\n
\n \"\" \n
\n Azur Sabic. Photo by Tony Altermatt <\/figcaption>\n <\/figure>\n
\n \"\" \n
\n Screening with Deborah Macauley, Jiajia Zhang, Sam Fuentes, Shade Th\u00e9ret & Magdalena Mitterhofer, Rashiyah Elanga and Tereza Glazova. Photo by Tony Altermatt <\/figcaption>\n <\/figure>\n
\n \"\" \n
\n Photo by Tony Altermatt <\/figcaption>\n <\/figure>\n
\n \"\" \n
\n Photo by Tony Altermatt <\/figcaption>\n <\/figure>\n
\n \"\" \n
\n Photo by Tony Altermatt <\/figcaption>\n <\/figure>\n
\n \"\" \n
\n DIVAS \/ Rafa\u0142 Pierzy\u0144ski & Aga P\u0119dziwiatri.. Photo by Tony Altermatt <\/figcaption>\n <\/figure>\n
\n \"\" \n
\n Photo by Tony Altermatt <\/figcaption>\n <\/figure>\n
\n \"\" \n
\n Photo by Tony Altermatt <\/figcaption>\n <\/figure>\n
\n \"\" \n
\n Photo by Tony Altermatt <\/figcaption>\n <\/figure>\n
\n \"\" \n
\n Valentina Demicheli Jitsattayakul. Photo by Tony Altermatt <\/figcaption>\n <\/figure>\n
\n \"\" \n
\n Nadia Hauri. Photo by Tony Altermatt <\/figcaption>\n <\/figure>\n
\n \"\" \n
\n Young Boy Dancing Group. Photo by Tony Altermatt <\/figcaption>\n <\/figure>\n

<\/p><\/div><\/div>","galleryGallery":"

<\/div>","postContent":"\n\n
\n
\n
\n
\n by<\/span> \n Editorial Team<\/span> <\/div>\n
\n

\n art <\/p>\n

\n impressions <\/p>\n

\n Zurich <\/p>\n <\/div>\n \n \n <\/div>\n

\n \n

Impressions of Blue Moon Rising<\/h2>\n \n

Snaps of the third Gathering by PW-Magazine in Collaboration with Body Archive, Spectres and Cabaret Voltaire.<\/p><\/p><\/div><\/div> \n <\/div>\n <\/div>\n

\n

Jul 11, 2023 <\/p>

We look back on last Friday: A sparkling evening filled with chit-chat, heart-to-heart talks and intimate contributions by Axel Kolb, Azur Sabic, DIVAS \/ Rafa\u0142 Pierzy\u0144ski & Aga P\u0119dziwiatr, Deborah Macauley, Jamira Estrada, Jiajia Zhang, Margaretha J\u00fcngling with Luc H\u00e4fliger, Modulaw, Nadia Hauri, Sam Fuentes, Rashiyah Elanga, Tereza Glazova, Valentina Demicheli Jitsattayakul and Young Boy Dancing Group.<\/p><\/div>

In collaboration with the dearest \u2013 BODY ARCHIVE<\/a>, SPECTRES<\/a>, and CABARET VOLTAIRE<\/a> \u2013 we finished this year's Gathering series in Zurich with a once-in-a-blue-moon evening. The diverse program spanning from sound-, food- and movement performances to multiple screenings and room installations, mirrored the artist practice of local and international artists in the frame of this magical night.
Thank you very much for your numerous coming.<\/p><\/div>

<\/div>
Photo by Tony Altermatt<\/div><\/div>
<\/div>
Photo by Tony Altermatt<\/div><\/div>
<\/div>
Photo by Tony Altermatt<\/div><\/div>
<\/div>
Photo by Tony Altermatt<\/div><\/div>
<\/div>
Photo by Tony Altermatt<\/div><\/div>
<\/div>
Photo by Tony Altermatt<\/div><\/div>
<\/div>
Photo by Tony Altermatt<\/div><\/div>
<\/div>
Photo by Tony Altermatt<\/div><\/div>
<\/div>
Photo by Tony Altermatt<\/div><\/div>
<\/div>
Photo by Tony Altermatt<\/div><\/div>
<\/div>
Margaretha J\u00fcngling with Luc H\u00e4fliger. Photo by Tony Altermatt<\/div><\/div>
<\/div>
Photo by Tony Altermatt<\/div><\/div>
<\/div>
Azur Sabic. Photo by Tony Altermatt<\/div><\/div>
<\/div>
Photo by Tony Altermatt<\/div><\/div>
<\/div>
Azur Sabic. Photo by Tony Altermatt<\/div><\/div>
<\/div>
Screening with Deborah Macauley, Jiajia Zhang, Sam Fuentes, Shade Th\u00e9ret & Magdalena Mitterhofer, Rashiyah Elanga and Tereza Glazova. Photo by Tony Altermatt<\/div><\/div>
<\/div>
Photo by Tony Altermatt<\/div><\/div>
<\/div>
Photo by Tony Altermatt<\/div><\/div>
<\/div>
Photo by Tony Altermatt<\/div><\/div>
<\/div>
DIVAS \/ Rafa\u0142 Pierzy\u0144ski & Aga P\u0119dziwiatri.. Photo by Tony Altermatt<\/div><\/div>
<\/div>
Photo by Tony Altermatt<\/div><\/div>
<\/div>
Photo by Tony Altermatt<\/div><\/div>
<\/div>
Photo by Tony Altermatt<\/div><\/div>
<\/div>
Valentina Demicheli Jitsattayakul. Photo by Tony Altermatt<\/div><\/div>
<\/div>
Nadia Hauri. Photo by Tony Altermatt<\/div><\/div>
<\/div>
Young Boy Dancing Group. Photo by Tony Altermatt<\/div><\/div> <\/div>\n<\/div>\n\n
\n
\n\t\n\t\t\t\t\t\n\t\t
\n\t\t\t\n\t\t\t\n \n \n\t\t<\/div>\n\t\t
\n \t\t\t\n\t\t\t\t\t\n\t\t\t\t\t
\n \"\" \n
\n Florian Hofer. Photo by Ronja Elina Kappl <\/figcaption>\n <\/figure>\n \t\t\t\t\t\n\t\t\t\t\t
\n \"\" \n
\n Steph Holl-Trieu. Photo by Ronja Elina Kappl <\/figcaption>\n <\/figure>\n \t\t\t\t\t\n\t\t\t\t\t
\n \"\" \n
\n Samuel Bron. Photo by Ronja Elina Kappl <\/figcaption>\n <\/figure>\n \t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t<\/div>\n\t
\n\t\t\t\t\t

Impressions of Rundgang 2025 at the Academy of Fine Arts Vienna<\/h2>\n\t\t\t\t

From January 16\u201319 2025, the Academy of Fine Arts Vienna welcomes visitors to explore its studios during the annual Rundgang.<\/p><\/p><\/div><\/div>\t<\/div>\n\t

\n\t\t\t\t
\n\t\t\tby<\/span>\n\t\t\t Editorial Team<\/span>\t\t<\/div>\n\t\t\t\t
\n\t\t\t

\n\t\t\t\tart\t\t\t<\/p>\n\t\t\t

\n\t\t\t\t\t\t\t\timpressions\t\t\t\t\t\t\t<\/p>\n\t\t\t

\n\t\t\tVienna\t\t\t<\/p>\n\t\t<\/div>\n\t\t\n\t<\/div>\n\t

<\/div>\n <\/div>\n\t\n\n<\/div>\n\n
\n
\n\t\n\t\t\t\t\t\n\t\t
\n\t\t\t\n\t\t\t\n \n \n\t\t<\/div>\n\t\t
\n \t\t\t\n\t\t\t\t\t\n\t\t\t\t\t
\n \"\" \n
\n Kiki Furlan, a small sandcastle, 2024. Photo by Julian Lee-Harather <\/figcaption>\n <\/figure>\n \t\t\t\t\t\n\t\t\t\t\t
\n \"\" \n
\n Hanna Kucera and Andreas Lorck-Schierning, Card I Suit in a case how to suit in a case put your suit in a case how to suit a case, 2024. Photo by Julian Lee-Harather <\/figcaption>\n <\/figure>\n \t\t\t\t\t\n\t\t\t\t\t
\n \"\" \n
\n Jonida La\u00e7i, For forty elephants, 2023. Photo by Julian Lee-Harather <\/figcaption>\n <\/figure>\n \t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t<\/div>\n\t
\n\t\t\t\t\t

Impressions of Rundgang 2024 at the Academy of Fine Arts Vienna<\/h2>\n\t\t\t\t

Between January 18\u201321\u00a0the Academy of Fine Arts Vienna\u00a0opens its doors for the annual Rundgand and warmly invites the public to cruise through studios and classes.<\/p><\/p><\/div><\/div>\t<\/div>\n\t

\n\t\t\t\t
\n\t\t\tby<\/span>\n\t\t\t Editorial Team<\/span>\t\t<\/div>\n\t\t\t\t
\n\t\t\t

\n\t\t\t\tart\t\t\t<\/p>\n\t\t\t

\n\t\t\t\t\t\t\t\timpressions\t\t\t\t\t\t\t<\/p>\n\t\t\t

\n\t\t\tVienna\t\t\t<\/p>\n\t\t<\/div>\n\t\t\n\t<\/div>\n\t

<\/div>\n <\/div>\n\t\n\n<\/div>\n\n"},{"id":"craze-12-marga-alfeirao","postPreview":"\n
\n
\n\t\n\t\t\t\t\t\n\t\t
\n\t\t\t\t\t\t
\t\t\t

\t\t\tCRAZE\t\t\t<\/p>\t\t\t<\/div>\t\t\t\n\t\t\t\n \n \n\t\t<\/div>\n\t\t

\n \t\t\t\n\t\t\t\t\t
\n \"\" \n
\n Photo by Shauna Summers\u00a0 <\/figcaption>\n <\/figure>\n \t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t
\n \"\" \n
\n Photo by Shauna Summers\u00a0 <\/figcaption>\n <\/figure>\n \t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t
\n \"\" \n
\n Photo by Shauna Summers <\/figcaption>\n <\/figure>\n \t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t<\/div>\n\t
\n\t\t\t\t\t

CRAZE #12: Marga Alfeir\u00e3o<\/h2>\n\t\t\t\t

\"CRAZE: Questionnaire for new Choreography\" showcases emerging choreographers and investigates the artistic practices of contemporary dance.<\/p><\/p><\/div><\/div>\t<\/div>\n\t

\n\t\t\t\t
\n\t\t\tby<\/span>\n\t\t\t Jette B\u00fcchsensch\u00fctz<\/span>\t\t<\/div>\n\t\t\t\t
\n\t\t\t

\n\t\t\t\tperformance\t\t\t<\/p>\n\t\t\t

\n\t\t\t\t\t\t\t\tpeople\t\t\t\t\t\t\t<\/p>\n\t\t\t

\n\t\t\tBerlin\t\t\t<\/p>\n\t\t<\/div>\n\t\t\n\t<\/div>\n\t

<\/div>\n <\/div>\n\t\n\n<\/div>\n","gallery":"
\n \"\" \n
\n Photo by Shauna Summers\u00a0 <\/figcaption>\n <\/figure>\n
\n \"\" \n
\n Photo by Shauna Summers\u00a0 <\/figcaption>\n <\/figure>\n
\n \"\" \n
\n Photo by Shauna Summers <\/figcaption>\n <\/figure>\n
\n \"\" \n
\n Photo by Shauna Summers <\/figcaption>\n <\/figure>\n

<\/p><\/div><\/div>","galleryGallery":"

<\/div>","postContent":"\n\n
\n
\n
\n
\n by<\/span> \n Jette B\u00fcchsensch\u00fctz<\/span> <\/div>\n
\n

\n performance <\/p>\n

\n people <\/p>\n

\n Berlin <\/p>\n <\/div>\n \n \n <\/div>\n

\n \n

CRAZE <\/p> \n <\/div>\n

\n \n

CRAZE #12: Marga Alfeir\u00e3o<\/h2>\n \n

\"CRAZE: Questionnaire for new Choreography\" showcases emerging choreographers and investigates the artistic practices of contemporary dance.<\/p><\/p><\/div><\/div> \n <\/div>\n <\/div>\n

\n

Jul 10, 2023 <\/p>

<\/div>
Photo by Shauna Summers\u00a0<\/div><\/div>

Dancing as both a collective as well as an intimate experience \u2013 Marga Alfeirao\u2019s<\/a> choreographic practice opens a sphere where rest and eroticism meet and where tender attention may turn into desire.<\/p><\/div>

Why dance?<\/p><\/div>\n

Ya, why\u2026 It is a bit like when you feel you know about a topic before taking a class. Not that you studied it, but you feel comfortable, drawn to it and slightly obsessive in repeating it, watching and doing it. It wasn\u2019t really a choice, just something that simply made sense to me.\u00a0<\/p>

Dancing as a social interaction, as a possibility for people to come and be together, seems just as insane to me as dancing alone in a room. Both the collective aspect of it as well as the intimacy of it make dancing a very nurturing practice. As a form that is passed on through generations, belongs to, as well as creates places, identities and communities, dancing offers ways of being together in a very unique way.\u00a0<\/p><\/div>

I like that you immediately turn dance into dancing, into a verb, into an action.<\/p><\/div>\n

That reflects my relationship to dance. As much as I can relate to and understand the discourses around contemporary dance in our particular niche due to my education, my relation to dance really comes from family gatherings, watching and repeating the moves from video clips and going to the club with friends. It occupies space in a very affective and affectionate way in my life. Dancing is my profession, as it is my life. And I love that it is my job.\u00a0<\/p><\/div>

<\/div>
Photo by Shauna Summers\u00a0<\/div><\/div>

How do you generate or encounter material?<\/p><\/div>\n

Lots of inspirations come from simple observations: Living daily life, seeing people feeling themselves, watching how people listen or can\u2019t notice each other. I like small movements. I like to notice the small dances that appear when people are purposely close or when they look at each other from afar. How people look at each other in a club is an infinite source for me. Another very simple thing is indulging in a state of boredom. I enjoy spending time in the studio listening to the music of my favourite producers and DJ\u2019s and start moving or staring at myself and the space. In that, I practice patience.<\/p><\/div>

Can you remember the first piece of art that really mattered to you?<\/p><\/div>\n

Well, not a piece but Sean Paul\u2019s video clip I'm Still In Love With You <\/em>had and still has a strong influence on me \u2013 and so did most of the music videos from my early teenage years. I really wanted to be one of the girls in this videos because of the chores and outfits, but I was also fascinated by how clips repeated and you could slow down or accelerate down while you watched them. I go back to this clip whenever I need to calm down and zone out or when I am getting a bit too obsessed with making and generating material<\/em> (laughs).<\/p>

I also think Tarraxinha<\/em> had a huge impact on me and made me enter a sort of zone<\/em>. Both by dancing it as a pair dance or simply witnessing, it kind of pulls you into a focused yet chill vibe. In the late 90\u2019s, Lisbon was in an Angolan \u2013 where it is originally from \u2013 Tarraxinha<\/em> fever. Everyone was dancing it.<\/p><\/div>

<\/div>
Photo by Shauna Summers<\/div><\/div>

In your currently touring piece Lounge, you are opening up an intimate space where female* desire and rest come together. You are choreographing these moments of desire in a very casual and tender way. Can you elaborate on this intersection of rest and eroticism \u2013 also as choreographic material?<\/p><\/div>\n

The gaze \u2013 how and where you look at \u2013 is such a fundamental element of dance pieces. And the way you look at something wakes up desire. But I think we are choreographing attention \u2013 and then desire comes with it. Taking and making time is very linked to eroticism. It is kind of a nice authority to respect. It feels good and easy to lean into it, to rest in.\u00a0 But also not a forced \"not doing\", that\u2019s a bit contradictory to resting, that\u2019s more active rest training. Im talking more about the type of rest that has a chill quality, that you ease into.<\/p><\/div>

What is an audience for you?<\/p><\/div>\n

Funny, I don\u2019t have a very clear answer to that. But it is a body who is willing to witness or who becomes a witness. When people\u2019s attention get caught to watch, listen and at times interfere with what they experience but I guess that also depends on both my position as well as the spaces I am moving in. I have a very tender feeling towards the audience \u2013 and that's the kind of experience I wish the audience of LOUNGE<\/em> to have.<\/p><\/div>

<\/div>
Photo by Shauna Summers<\/div><\/div>

Your personal utopia would look like\u2026?<\/p><\/div>\n

I feel there is a certain tendency in dance discourses \u2013 but also in the club scene and rave culture
here in Berlin \u2013 to engage with the notion of utopia. There is such a hook in chasing utopia. People
are just making an experience and living their lives, I don\u2019t think they are chasing something else. It\u2019s a personal bug I have with this idea and chasing of utopia. Nevertheless \u2013 still coming back to your question: right at this moment, my personal utopia is that Berlin becomes Brasil. In my little personal utopia, I am walking around in the streets and the majority of people is enjoying and feeling themselves. If this is something I can experience on a daily basis in a big city in Europe, I can start thinking about other utopias. Maybe I like the idea of magic more than utopia.<\/p><\/div>

Marga Alfeir\u00e3o (Lisbon, 1994) uses dance and performance to carve safe spaces for the exploration of intimacy and sexuality. Heavily influenced by dance-genres and sound textures from the african diaspora disseminated through Lisbon\u2019s social tissue, she attempts an active claim of womanhood, making room for lesbian sensualities. Graduated from HZT\u2019s BA in dance and choreography in Berlin, she initiated Lapdances to Ringtones and Lullabies, a research on erotics and rest.<\/p>

Don't miss Marga Alfeir\u00e3o with Mariana Benenge, Myriam Lucas, Shaka Lion: LOUNGE at ImPulsTanz<\/a> July 25\/27.<\/p><\/div> <\/div>\n<\/div>\n\n

\n
\n\t\n\t\t\t\t\t\n\t\t
\n\t\t\t\n\t\t\t\n \n \n\t\t<\/div>\n\t\t
\n \t\t\t\n\t\t\t\t\t
\n \"\" \n
\n Photo by Albane Durand-Viel <\/figcaption>\n <\/figure>\n \t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t
\n \"\" \n
\n Photo by Albane Durand-Viel <\/figcaption>\n <\/figure>\n \t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t
\n \"\" \n
\n Soa Ratsifandrihana: g r o o v e. Photos by Lara Gasparotto <\/figcaption>\n <\/figure>\n \t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t<\/div>\n\t
\n\t\t\t\t\t

Soa Ratsifandrihana: On Grooves, Echoes and Staying Close<\/h2>\n\t\t\t\t

Between joy, doubt, and fantasy, Soa Ratsifandrihana maps a choreography of contradictions with friendship as a method.<\/p><\/p><\/div><\/div>\t<\/div>\n\t

\n\t\t\t\t
\n\t\t\tby<\/span>\n\t\t\t Maria Dogahe<\/span>\t\t<\/div>\n\t\t\t\t
\n\t\t\t

\n\t\t\t\tperformance\t\t\t<\/p>\n\t\t\t

\n\t\t\t\t\t\t\t\tpeople\t\t\t\t\t\t\t<\/p>\n\t\t\t

\n\t\t\tBrussels\t\t\t<\/p>\n\t\t<\/div>\n\t\t\n\t<\/div>\n\t

<\/div>\n <\/div>\n\t\n\n<\/div>\n\n
\n
\n\t\n\t\t\t\t\t\n\t\t
\n\t\t\t\t\t\t
\t\t\t

\t\t\tCRAZE\t\t\t<\/p>\t\t\t<\/div>\t\t\t\n\t\t\t\n \n \n\t\t<\/div>\n\t\t

\n \t\t\t\n\t\t\t\t\t
\n \"\" \n
\n Photo by Marina Hoppmann <\/figcaption>\n <\/figure>\n \t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t
\n \"\" \n
\n Photo by Marina Hoppmann <\/figcaption>\n <\/figure>\n \t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t
\n \"\" \n
\n Photo by Marina Hoppmann <\/figcaption>\n <\/figure>\n \t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t<\/div>\n\t
\n\t\t\t\t\t

CRAZE #14: Luisa Fernanda Alfonso<\/h2>\n\t\t\t\t

\"CRAZE: Questionnaire for new Choreography\" showcases emerging choreographers and investigates the artistic practices of contemporary dance.<\/p><\/p><\/div><\/div>\t<\/div>\n\t

\n\t\t\t\t
\n\t\t\tby<\/span>\n\t\t\t Jette B\u00fcchsensch\u00fctz<\/span>\t\t<\/div>\n\t\t\t\t
\n\t\t\t

\n\t\t\t\tperformance\t\t\t<\/p>\n\t\t\t

\n\t\t\t\t\t\t\t\tpeople\t\t\t\t\t\t\t<\/p>\n\t\t\t

\n\t\t\tBerlin\t\t\t<\/p>\n\t\t<\/div>\n\t\t\n\t<\/div>\n\t

<\/div>\n <\/div>\n\t\n\n<\/div>\n\n"},{"id":"impressions-of-kunstakademie-dusseldorf-sommerrundgang-2023","postPreview":"\n
\n
\n\t\n\t\t\t\t\t\n\t\t
\n\t\t\t\n\t\t\t\n \n \n\t\t<\/div>\n\t\t
\n \t\t\t\n\t\t\t\t\t
\n \"\" \n
\n Elvo Axt, Photo by Saeeda Shabbir <\/figcaption>\n <\/figure>\n \t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t
\n \"\" \n
\n Michel B\u00fcchsenmann, Photo by Saeeda Shabbir <\/figcaption>\n <\/figure>\n \t\t\t\t\t\n\t\t\t\t\t
\n \"\" \n
\n Johanna Sophie Terhechte, Photo by Saeeda Shabbir <\/figcaption>\n <\/figure>\n \t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t<\/div>\n\t
\n\t\t\t\t\t

Impressions of Kunstakademie D\u00fcsseldorf Sommerrundgang 2023<\/h2>\n\t\t\t\t

The Sommerrundgang is the exhibition of the graduates of the summer semester of the Kunstakademie D\u00fcsseldorf.<\/p><\/p><\/div><\/div>\t<\/div>\n\t

\n\t\t\t\t
\n\t\t\tby<\/span>\n\t\t\t Editorial Team<\/span>\t\t<\/div>\n\t\t\t\t
\n\t\t\t

\n\t\t\t\tart\t\t\t<\/p>\n\t\t\t

\n\t\t\t\t\t\t\t\timpressions\t\t\t\t\t\t\t<\/p>\n\t\t\t

\n\t\t\tD\u00fcsseldorf\t\t\t<\/p>\n\t\t<\/div>\n\t\t\n\t<\/div>\n\t

<\/div>\n <\/div>\n\t\n\n<\/div>\n","gallery":"
\n \"\" \n
\n Elvo Axt, Photo by Saeeda Shabbir <\/figcaption>\n <\/figure>\n
\n \"\" \n
\n Michel B\u00fcchsenmann, Photo by Saeeda Shabbir <\/figcaption>\n <\/figure>\n
\n \"\" \n
\n Johanna Sophie Terhechte, Photo by Saeeda Shabbir <\/figcaption>\n <\/figure>\n
\n \"\" \n
\n Karoline Schultz, Photo by Saeeda Shabbir <\/figcaption>\n <\/figure>\n
\n \"\" \n
\n Sven Dirkmann, Photo by Saeeda Shabbir <\/figcaption>\n <\/figure>\n
\n \"\" \n
\n Mona Schulzek, Photo by Saeeda Shabbir <\/figcaption>\n <\/figure>\n
\n \"\" \n
\n Mona Schulzek, Photo by Saeeda Shabbir <\/figcaption>\n <\/figure>\n
\n \"\" \n
\n Murat \u00d6nen, Photo by Saeeda Shabbir <\/figcaption>\n <\/figure>\n
\n \"\" \n
\n Simon Wien-Borgert Photo by Saeeda Shabbir <\/figcaption>\n <\/figure>\n
\n \"\" \n
\n Simon Wien-Borgert, Photo by Saeeda Shabbir <\/figcaption>\n <\/figure>\n
\n \"\" \n
\n Klasse Trisha Donnelly, Photo by Saeeda Shabbir <\/figcaption>\n <\/figure>\n
\n \"\" \n
\n Ryan Huggins, Photo by Saeeda Shabbir <\/figcaption>\n <\/figure>\n
\n \"\" \n
\n Johanna Sophie Terhechte, Photo by Saeeda Shabbir <\/figcaption>\n <\/figure>\n
\n \"\" \n
\n Eunbi Oh, Photo by Saeeda Shabbir <\/figcaption>\n <\/figure>\n
\n \"\" \n
\n Eunbi Oh, Photo by Saeeda Shabbir <\/figcaption>\n <\/figure>\n
\n \"\" \n
\n Michel B\u00fcchsenmann, Photo by Saeeda Shabbir <\/figcaption>\n <\/figure>\n
\n \"\" \n
\n Teresa Linhard, Photo by Saeeda Shabbir <\/figcaption>\n <\/figure>\n

<\/p><\/div><\/div>","galleryGallery":"

<\/div>","postContent":"\n\n
\n
\n
\n
\n by<\/span> \n Editorial Team<\/span> <\/div>\n
\n

\n art <\/p>\n

\n impressions <\/p>\n

\n D\u00fcsseldorf <\/p>\n <\/div>\n \n \n <\/div>\n

\n \n

Impressions of Kunstakademie D\u00fcsseldorf Sommerrundgang 2023<\/h2>\n \n

The Sommerrundgang is the exhibition of the graduates of the summer semester of the Kunstakademie D\u00fcsseldorf.<\/p><\/p><\/div><\/div> \n <\/div>\n <\/div>\n

\n

Jul 6, 2023 <\/p>

<\/div>
Elvo Axt, Photo by Saeeda Shabbir<\/div><\/div>

From July 5\u20139 the final works of the students Kunstakademie D\u00fcsseldorf<\/a> can be visited. Tabea Marschall and Franca Zitta took a walk through Eiskellerstra\u00dfe 1 on the first day. Their highlights were photographed by Saeeda Shabbir. <\/p><\/div>

<\/div>
Michel B\u00fcchsenmann, Photo by Saeeda Shabbir<\/div><\/div>
<\/div>
Johanna Sophie Terhechte, Photo by Saeeda Shabbir<\/div><\/div>
<\/div>
Karoline Schultz, Photo by Saeeda Shabbir<\/div><\/div>
<\/div>
Sven Dirkmann, Photo by Saeeda Shabbir<\/div><\/div>
<\/div>
Mona Schulzek, Photo by Saeeda Shabbir<\/div><\/div>
<\/div>
Mona Schulzek, Photo by Saeeda Shabbir<\/div><\/div>
<\/div>
Murat \u00d6nen, Photo by Saeeda Shabbir<\/div><\/div>
<\/div>
Simon Wien-Borgert Photo by Saeeda Shabbir<\/div><\/div>
<\/div>
Simon Wien-Borgert, Photo by Saeeda Shabbir<\/div><\/div>
<\/div>
Klasse Trisha Donnelly, Photo by Saeeda Shabbir<\/div><\/div>
<\/div>
Ryan Huggins, Photo by Saeeda Shabbir<\/div><\/div>
<\/div>
Johanna Sophie Terhechte, Photo by Saeeda Shabbir<\/div><\/div>
<\/div>
Eunbi Oh, Photo by Saeeda Shabbir<\/div><\/div>
<\/div>
Eunbi Oh, Photo by Saeeda Shabbir<\/div><\/div>
<\/div>
Michel B\u00fcchsenmann, Photo by Saeeda Shabbir<\/div><\/div>
<\/div>
Teresa Linhard, Photo by Saeeda Shabbir<\/div><\/div> <\/div>\n<\/div>\n\n
\n
\n\t\n\t\t\t\t\t\n\t\t
\n\t\t\t\n\t\t\t\n \n \n\t\t<\/div>\n\t\t
\n \t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t
\n \"\" \n
\n Anthea Hamilton, Sliced Marinot Squash, at GIANNI MANHATTAN curated by Giulia Civardi. Photo by Julian Lee-Harather <\/figcaption>\n <\/figure>\n \t\t\t\t\t\n\t\t\t\t\t
\n \"\" \n
\n George Tourkovasilis, N. Athens, at FELIX GAUDLITZ curated by Helena Papadopoulos. Photo by Julian Lee-Harather <\/figcaption>\n <\/figure>\n \t\t\t\t\t\n\t\t\t\t\t
\n \"\" \n
\n Na Mira, Marquee, at Croy Nielsen curated by Quinn Latimer. Photo by Julian Lee-Harather <\/figcaption>\n <\/figure>\n \t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t<\/div>\n\t
\n\t\t\t\t\t

Impressions of Curated by 2023<\/h2>\n\t\t\t\t

From Sept 8 \u2013 Oct 14 Curated by, a city-wide program of exhibitions with 24 participating galleries that invited internationally renowned guest curators, is taking place for its fifteenth edition.<\/p><\/p><\/div><\/div>\t<\/div>\n\t

\n\t\t\t\t
\n\t\t\tby<\/span>\n\t\t\t Editorial Team<\/span>\t\t<\/div>\n\t\t\t\t
\n\t\t\t

\n\t\t\t\tart\t\t\t<\/p>\n\t\t\t

\n\t\t\t\t\t\t\t\timpressions\t\t\t\t\t\t\t<\/p>\n\t\t\t

\n\t\t\tVienna\t\t\t<\/p>\n\t\t<\/div>\n\t\t\n\t<\/div>\n\t

<\/div>\n <\/div>\n\t\n\n<\/div>\n\n
\n
\n\t\n\t\t\t\t\t\n\t\t
\n\t\t\t\n\t\t\t\n \n \n\t\t<\/div>\n\t\t
\n \t\t\t\n\t\t\t\t\t\n\t\t\t\t\t
\n \"\" \n
\n Helen Vogelsang \/ Paola Yannarella. Photo by Melanie Gl\u00fcck <\/figcaption>\n <\/figure>\n \t\t\t\t\t\n\t\t\t\t\t
\n \"\" \n
\n Linda Herrmann. Photo by Melanie Gl\u00fcck <\/figcaption>\n <\/figure>\n \t\t\t\t\t\n\t\t\t\t\t
\n \"\" \n
\n Leo Bedderman. Photo by Melanie Gl\u00fcck <\/figcaption>\n <\/figure>\n \t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t<\/div>\n\t
\n\t\t\t\t\t

Impressions of UdK Rundgang 2023<\/h2>\n\t\t\t\t

For the end of semester, Universit\u00e4t der K\u00fcnste Berlin shows works of their students throughout a three-days event. <\/p><\/p><\/div><\/div>\t<\/div>\n\t

\n\t\t\t\t
\n\t\t\tby<\/span>\n\t\t\t Antoine Sime\u00e3o Schalk<\/span>\t\t<\/div>\n\t\t\t\t
\n\t\t\t

\n\t\t\t\tart\t\t\t<\/p>\n\t\t\t

\n\t\t\t\t\t\t\t\timpressions\t\t\t\t\t\t\t<\/p>\n\t\t\t

\n\t\t\tBerlin\t\t\t<\/p>\n\t\t<\/div>\n\t\t\n\t<\/div>\n\t

<\/div>\n <\/div>\n\t\n\n<\/div>\n\n"}]