Dressed to ActCostume as Dramaturgical Engine

Long Read by Runa Borch Skolseg23 Mar, 2026

Soraya Lutangu BonaventureRadical Imagination

Interview by Jazmina Figueroa23 Feb, 2026

SELF-ANNIHILATION, HUMILIATION, AND DANCE:THE MIRROR OF SIMPLE SOULS

Contribution by Bryana Fritz, Stefa Govaart, Chloe Chignell29 Jan, 2026

EWA DZIARNOWSKADANCES BUILT FROM SENSATION

Interview by Alice Heyward24 Oct, 2025

LISTS OF THANKS AND THINGS, AND HAUNTED THINKING:“WORK BODY” BY MICHAEL TURINSKY

Review by Krassimira Kruschkova28 Nov, 2025

An Ambivalent Defence / A Loving CritiqueOn the Rise of Reading Events in the Art World

Long Read by Bryony Dawson11 Jan, 2026

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By Association #3

Column by Michelangelo Miccolis28 Feb, 2026

STINA FORSCHAOS WELCOME

Interview by Joel Valabrega 24 Oct, 2025

mhm, mhmTime, Voice, and the Space In Between

Contribution by mhm, mhm, fromheretillnow, Milan Friedlos23 Dec, 2025

Theatre of Loyalty: Why Jan Fabre Still Gets a Stage

Essay by Ilse Ghekiere 24 Oct, 2025

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